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National Awards, Prakash Raj is the winner of best actor | Winners list

National Award for the best actor has been given to Prakash Raj, who is an south indian most popular actor. Bollywood stars like Shah Rukh Khan and Aamir Khan were on the listing top in the rank and of their performances and many of the fans expected the award will get one of the khan, but did’nt happened. Prakash who bagged the 55th National Awards for Best Actor for his work in Priyadarshan’s brilliant Tamil film Kanchivaram. The film also bagged the Best Film award.
The Best Actress award went to Uma Shree for Girish Kasaravalli’s Kannada film Gulabi Talkies.
Adoor Gopalakrishnan bagged the Best Director award for his Malayalam film, Naalu Pennungal.
Taare Zameen Par bagged the Best Family Welfare Film Title while Shankar Mahadevan bagged the Best Playback Singer for its song, Maa. Prasoon Joshi bagged the Best Lyrics award for the same song.
Pankaj Kapur-starrer Dharam bagged the award for National Integration Award while Chak De! India bagged an award for Best Film in overall entertainment.
Feroz Abbas Khan bagged the Best Screenplay award for his film Gandhi, My Father. His film also bagged the Grand Jury award. Darshan Jariwala, who played Gandhi, bagged the Best Supporting Actor for the film.
Winners List
Best Actor Award : Prakash Raj for the film ‘Kanchivaram’.
Best Actress Award : Umashree for the film ‘Gulabi Talkies’.
Best Screenplay award : Feroz Abbas
Best Supporting Actor : Darshan Zariwala for film “Gandhi my Father.”
Best Supporting Actress: Shefali Shah for the film “The Last Lear”
Best Lyrics : Prasoon Joshi for the song ‘Ma..’ of ‘Taare Zameen Par’.
Best Film of the year : Kanchivaram
Best Director : Adoor Gopalakrishnan for film ‘Naalu Pennungal’ ( 7th time)
Best Film of the year : Kanchivaram
Best film for overall Entertainer : Chak De India
Best Family Welfare Award : Aamir Khan’s ‘Taare Zameen Par’
Best Film award for national integrity : Dharam
Best Playback singer : Shankar Mahadevan for the Song ‘Ma’ (‘Taare Zameen Par’).
Best Screenplay : Feroz Abbas Khan for “Gandhi my Father”.
Best Music Composer : Ouseppachan for ‘Ore Kadal’.
Best English Film: The Last Lear
The list of winners in some of the other categories are:
Best Film on Social Issues: Antardwandwa (Hindi)
Best Children’s Film: Foto (Hindi)
Best Animation Film :Inimey Naangathan (Tamil)
Best Supporting Actress: Shefali Shah (The Last Lear; English)
Best Child Artist: Sharad Goekar (Tingya; Marathi)
Best Female Playback Singer: Shreya Ghoshal (Jab We Met; Hindi)
Best Cinematography: Shankar Raman (Frozen, English)
Best Editing: B Ajith Kumar (Naalu Penugal; Malayalam)
Best Art Direction : Sabu Cyril (Om Shanti Om; Hindi)
Best Costume Designer: Ruma Sengupta (Krishnakanter Will, Bengali)
Best Make-up Artist attanam Rasheed (Paradesi, Malayalam)
Best Special Effects :M/S Indian Artists (Shivaji, Tamil)
Best Choroegraphy :Yeh Ishq Hai, Baithayi Bithaye (Jab We Met)
Best Book on Cinema : From Raj To Swaraj: The Non-fiction film in India
Best Film Critic :V K Joseph (Malayalam)

Ayesha Takia’s hot pics and wallpapers from “Wanted”

Ayesha takia’s hot pics & wallpapers from “Wanted” and read her latest news. Ayesha Takia, sizzling hot bollywood actress is looking forward of her up coming film Wanted.
This movie is all set release on 18 september. Wanted also starring salman Khan. As we hered that Ayesha is a married girl and she firmly believes that she may not get hand ful work on the sets and that’s the reason why she is also planning to launch her sister Natasha Takia, and thsi lady may be entering in to bollywood next year.

Stardust awards 2010 winners and Nominations list

Stardust Awards – Sony or Set Max Star Dust awards 2010 winners. Find Nominations list which has been screened at Stardustawards award ceremony for Hindi movies which congratulates the superstars of the new generation who will make an impact in the future. It is sponsored by Stardust (magazine).

SUPERSTAR OF TOMORROW – MALE
Ranbir Kapoor – Wake Up Sid & Ajab Prem Ki Ghazab Kahani (Winner)
Imraan Khan – Luck
Farhan Akhtar – Luck By Chance
Neil Nitin Mukesh – New York
Harman Baweja – What’s Your Rashee?

SUPERSTAR OF TOMORROW —FEMALE
Deepika Padukone – Love Aaj Kal
Sonam Kapoor – Delhi 6
Isha Sharvani – Luck By Chance
Mugdha Godse – Jail
Asin – London Dreams

BREAKTHROUGH PERFORMANCE — MALE
Abhimanyu Singh – Gulaal (Winner)
Chandan Roy Sanyal – Kaminey
Parzan Dastur – Sikandar
Amol Gupte – Kaminey
Adhyayan Suman – Raaz-The Mystery Continues
Cyrus Broacha – 99

BREAKTHROUGH PERFORMANCE — FEMALE
Chitrashi Rawat – Luck
Urvashi Sharma – Baabarr
Shahana Goswami – Firaaq (Winner)
Gauhar Khan – Rocket Singh – Salesman Of The Year
Mugdha Godse – All The Best
Kalki Koechlin – Dev D
Bhavna Pani – Fast Forward
Kulraj Randhawa – Chintuji

HOTTEST FILM OF THE YEAR
Paa
All The Best
Love Aaj Kal (Winner)
Gulaal
Quick Gun Murugan

HOTTEST NEW DIRECTOR
Renzil D’Silva – Kurbaan
Anthony D’Souza – Blue
Ayaan Mukherjee – Wake Up Sid (Winner)
Prabhu Devaa – Wanted
Zoya Akhtar – Luck By Chance

EXCITING NEW FACE
Shazahn Padamsee – Rocket Singh – Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jacqueline Fernandez – Aladin (Winner)
Shruti Hassan – Luck

STANDOUT PERFORMANCE BY A MUSIC DIRECTOR
Amit Trivedi – Dev D
RDB – Kambakkht Ishq
Piyush Mishra – Gulaal
Sharib-Toshi – Raaz-The Mystery Continues & Jashnn
Sohail Sen – What’s Your Rashee?
Bappa Lahiri – Jai Veeru

STANDOUT PERFORMANCE BY A LYRICIST
Amitabh Bhattacharya – Emosional Atyachar (Dev D)
Sandeep Shrivastava – Mere Sang Toh Chal Zaraa (New York)
Shellee – Dhol Yaara Dhol (Dev D)
Subrat Sinha – Piya Jaise Ladoo (Radio)

NEW MUSICAL SENSATION —MALE
Mohit Chauhan – Masakali (Delhi 6)
Mohit Chauhan – Dooriyan (Love Aaj Kal)
Amit Trivedi – Emosional Atyachar (Dev D)
Tochi Raina – Pardesi (Dev D)
Suraj Jagan – Give Me Some Sunshine (3 Idiots)
Toshi – Maahi (Raaz-The Mystery Continues)

NEW MUSICAL SENSATION —FEMALE
Kavita Seth – Iktara (Wake Up Sid)
Mouli Dave – Agre Ka Ghagra (Jai Veeru)
Tarannum Malik – Salone Kya (What’s Your Rashee?)
Shruti Hasaan – Aazma Luck Aazma (Luck)
Bela Shinde – Su Chhe (What’s Your Rashee?)

STARDUST SEARCHLIGHT AWARDS
BEST ACTOR
Abhay Deol – Dev D
Naseeruddin Shah – Firaaq
Kay Kay Menon – Gulaal
Rishi Kapoor – Chintuji
Irrfan Khan – Billu
Akshay Kumar – 8×10 Tasveer

BEST ACTRESS
Soha Ali Khan – 99
Preity Zinta – Videsh
Mahie Gill – Dev D
Lara Dutta – Billu

BEST FILM
Chintuji
Sankat City
99
Billu
Dev D

BEST DIRECTOR
Nandita Das – Firaaq
Priyadarshan – Billu
Ashu Trikha – Baabarr
Ranjit Kapoor – Chintuji
Pankaj Advani – Sankat City
Anurag Kashyap – Dev D

READERS CHOICE AWARDS
DREAM DIRECTOR
Rajkumar Hirani – 3 Idiots
Rajkumar Santoshi – Ajab Prem Ki Ghazab Kahani
Rohit Shetty – All The Best
Vishal Bhardwaj – Kaminey
R. Balki – Paa
Imtiaz Ali – Love Aaj Kal (Winner)

BEST FILM OF THE YEAR — COMEDY
De Dana Dan
Ajab Prem Ki Ghazab Kahani
All The Best (Winner)
Do Knot Disturb
Dil Bole Hadippa

BEST FILM OF THE YEAR —ACTION / THRILLER
Blue
Wanted (Winner)
Kaminey
New York
Kurbaan

BEST FILM OF THE YEAR —DRAMA
3 Idiots (Winner)
Love Aaj Kal
Dev D
Wake Up Sid
Delhi 6

STAR OF THE YEAR — MALE
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Saif Ali Khan – Love Aaj Kal
Salman Khan – Wanted
Akshay Kumar – Blue (Winner)
Shahid Kapoor – Kaminey
Ajay Devgn – All The Best

STAR OF THE YEAR —FEMALE
Katrina Kaif – Ajab Prem Ki Ghazab Kahani & New York
Kareena Kapoor – Kurbaan & 3 Idiots (Winner)
Vidya Balan – Paa
Rani Mukherjee – Dil Bole Hadippa
Priyanka Chopra – Kaminey

BEST ACTOR IN A SUPPORTING ROLE
Abhishek Bachchan – Paa (Winner)
Vivek Oberoi – Kurbaan
Rishi Kapoor – Luck By Chance
Hrithik Roshan – Luck By Chance
Sharman Joshi – 3 Idiots

BEST ACTRESS IN A SUPPORTING ROLE
Dimple Kapadia – Luck By Chance
Kirron Kher – Kurbaan (Winner)
Divya Dutta – Delhi 6
Tisca Chopra – Firaaq
Supriya Pathak – Wake Up Sid

BEST ACTOR IN A COMEDY ROLE
Sanjay Dutt – All The Best
Akshay Kumar – De Dana Dan
Ajay Devgn – All The Best (Winner)
Riteish Deshmukh – Do Knot Disturb
Govinda – Life Partner
Best Actor – PopularAkshay Kumar – Blue
Best Actress – PopularKatrina Kaif – New York, Ajab Prem Ki Ghazab Kahani

Singamuthu actor (comedian) cheats Vadivelu

Singamuthu is a comedy actor, and who has been in the news for cheating another popular comedian, Vadivelu. Sources reported that Singamutu cheats Vadevelu in the deal of land. Tamil comedy-actor Vadivelu ledge complaint against Singamuthuactor. Vadivelu given a complaint with city police commissioner, against Singamutuactor for allegedly cheating him in a land purchasing deal. Vadivelu claims that Singamutu had taken money from him for purchasing land in various places of Sriperumbathur and other also places in Tamilnadu. But, later Vadivelu came to know that those documents are all fake and forgery.

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Asal Theme Music and songs

Asal Movie Preview
Behindwoods review board
Starring: Ajith, Sameera Reddy, Bhavana
Direction: Saran
Music: Bharadwaj
Production: Sivaji Productions
If Ajith fans had a quiet Pongal, then now is their time to celebrate. Asal is ready to race. About 50 days after Vijay’s 49th movie hit the screens, Ajith comes up with his own No.49 and one thinks that there couldn’t have been a better or more stylish run up to No.50. Everything about Asal is big and stylish. Of course, the fact that there is Ajith in the lead automatically raises the style quotient of the film. But, that apart, Asal is loaded with elements that make for a prime spot in the marquee. The Ajith-Saran pair returns after more than 5 years. Hit director-actor pairs do not ensure great films, that is true, but it also has to be accepted that this duo have maintained a rather immaculate record whenever they have come together. Even more weight is added to the undertaking when you consider the fact that the legendary Sivaji banner is behind it. One of the most traditional and haloed production houses of the industry, quality has been their hallmark. This banner is not known to roll out films every year as a routine, they wait for the right opportunities which can be understood from the fact that their last mainstream production in Tamil was Chandramukhi.So, there is Ajith with Saran wielding the megaphone and

the Sivaji banner controlling affairs. Things cannot go much wrong from here one would guess. The casting has its star power coming in the form of Ajith, stature and experience in Prabhu and the glamour-beauty quotient in the form of two leading ladies Sameera Reddy and Bhavana. The former is looking to consolidate her hold down south after the success of VA and the latter is making a comeback after a short layoff during which she was busy in Malayalam.When there is Ajith starring in a movie, it is indeed tough for others to get the attention. In spite of having two extremely elegant women as the female leads, it is surprising that the pre-release promos have had only stills of Ajith. But, it has to be admitted that he does look dashing and retro in a spiked hairdo and handlebar sideburns. The huge cigar and goggles add to the style. Obviously, people would expect a stylish ‘don’ kind of character from Ajith. And going by what Prabhu said in a recent interview it will be a slick and stylish entertainer on the lines of Billa.Asal will be Saran’s most sophisticated film to date. The director and producers have shot the film on various happening spots around the globe captured in Prashanth D. Misale ‘s camera. Interestingly, the movie’s posters have the name of Ajith Kumar as co-director, are we getting to see another face of the actor. Music by Saran regular Bhardwaj have started picking up and it is reported that a few ‘racy’ action sequences will be the highlight of Asal. And what more, you get to see two Ajiths, yes, he is in a dual role. After Vaali, Villain, Varalaaru and Billa, let’s hope that the dual role luck makes even Asal a huge success. With huge expectations (Ajith’s last release was in 2008) and high stakes, Asal is one to watch out for with ‘interest’ in the next few weeks.

ASAL MOVIE REVIEW

Review by : Behindwoods review board
Starring: : Ajith, Sameera Reddy, Bhavana.
Direction: Saran
Music: Bharadwaj
Production: Sivaji Productions

The Ajith-Saran combination is at it again. Asal is in theaters and it is celebration time for all Ajith fans. The stakes are bigger this time with Asal being Ajith’s 49th film and it is also special because the titles of the film name Ajith as co-director of the movie. He is also credited for the story, screenplay and dialogues along with Saran and Yuhi Sethu. So, has the additional responsibility and control for Ajith worked well for Asal?

Asal is a story of feud between three brothers over property; two brothers (Sampath Kumar and Rajeev Krishna) on one side with their avarice for all the wealth with the righteous third trying to stop the family from breaking down. No marks for guessing who is the righteous one, who else but Ajith Kumar?! The feud that exists as an undercurrent in the presence of their father (Ajith again) turns ugly and personal after he passes away. It grows bigger with the two brothers joining in to elbow out Ajith. He graciously steps aside, only wanting to keep cordial relations. But, the two brothers are just not able to handle the huge wealth and the responsibility that it brings. Their wealth attracts trouble and it is up to Ajith to come back and save his brothers. Do things end there or does

the feud continue, does wealth disintegrate the family and how does Ajith conquer all the odds? Watch Asal to find out.

The first and most important thing about Asal is that it is an out and out Ajith movie. Not that anyone needs to be told this, it is an obvious fact. But, Asal is a full length celebration of Ajith’s persona, something his fans will absolutely adore. But, the film does have its weak points too. It is indeed sad that such a potential team ended up shooting a rather weak script. The main defect here is the characters sketch of the villains. They just don’t seem menacing or threatening enough to stand up to Ajith. It robs the excitement out of the confrontations making it look like cakewalks for Ajith. The only strong negative character (Kelly Dorji) is finished off prematurely which also stunts the growth of Ajith’s character. It is also pretty dampening that the much expected Ajith double act is only there for the first few minutes in the film. It should also be said that the opening sequences of the film do leave you a bit disappointed; the intros just don’t pack a punch. But, on the brighter side, the script does manage to throw a few surprises when you least expect them, like the one at the interval point. Saran has been successful in keeping the viewer guessing about certain things right until the end. The climax portions however should have been better. The finish looks literally forced into the script, with a fight inside a warehouse. There is not much room for romance. But, whatever little is there looks good. The silent tussle between Sameera and Bhavana over who gets Ajith is cute and Saran could have extended it a bit. One thing about the movie that could have been much better is the placement of songs; most of them look like appendages hanging loosely out of the main narrative.

As said above, this movie is all about Ajith and his persona. It would not be wrong to say that at many points it seems as if Ajith, the star, has been given more importance than the script itself. Trust Ajith to carry off a larger than life role with ease. He strides the screen with ease, having a presence that few others can boast of. He looks stylish in every frame; the hairstyle, the sideburns and the cigar sit well on him. In fact, Ajith’s presence is one of the main factors that stops one from getting bored. Sampath, Rajeev Krishna and Pradeep Rawat do their jobs as villains without too great an impact. As said above, their characters look like weak adversaries for Ajith. Sameera Reddy has a role of consequence in the movie and does pretty well, but there is no huge scope for performance. Bhavana looks cute in a role that demands only as much. She however impresses with her dance moves in the first part of the Dushyantha song. Yuhi Sethu tries hard to provide a few comic moments, succeeding partially on the rare occasion; his side kicks trying hard with a few gimmicks as well. Prabhu is a dignified presence.

The fact that this is a film made under Sivaji Productions can be sensed in the way the film has shaped up. The producer has left no stone unturned to make the film look rich, slick and sophisticated throughout. Be it the sets, the interiors, the locations or costumes, no expense has been spared. The story is set mainly in France, with a portion happening in Mumbai. The richness of the streets France has been transferred beautifully onto screen by Prashanth’s camera. The camerawork keeps the viewer visually pleased, partially compensating for flaws in the script. Action should have been better. Only the fight between Ajith and Kelly close to the interval stirs up excitement, it is plain on all other occasions. Music by Bharadwaj does not lend any strength to the movie, except Dushyantha and the BGM looks pretty unimaginative. Dialogues focus mostly on the word ‘Thala’ and the different ways in which it can be used. Imaginative for sure, but it could have been toned down a bit. Nevertheless, it does provide fans with an opportunity to cheer loudly.

Asal is a complete Ajith centric entertainer with lots of style and sophistication. Yes, the script is weak and there are other flaws too, but the movie does not leave you bored or exasperated. Ajith satisfies his fans, but Saran disappoints a bit with the way he has handled such a great team, better results were definitely on. Visually pleasing with about 2.5 hours of running time, Asal is will not have you yawning, nor will it have you asking for more.

Mumbai film festival to commence today

MIFF has come a long way since its beginning and now being rated among the world's best and largest documentary film festival. The award money has been enhanced from this MIFF in each category.

THE ELEVENTH Mumbai International Film Festival for Documentary, Short and Animation Films (MIFF 2010) will begin from Wednesday (February 3). The current edition of the festival is hosting a number of interactive sessions, seminars and forums discussing documentary culture, working environment, raising funds, changing style of acting, content in Indian cinema etc. Speakers like Subhash Ghai, Javed Akhtar and Mike Pande are celebrity quotient.
MIFF has come a long way since its beginning and now being rated among the world's best and largest documentary film festival. The current edition is offering a lot.
The award money has been enhanced from this MIFF in each category and the total award money now is Rs 22.75 lakh along with Golden and Silver Conches in different categories of competition. The best short film / documentary (up to 30 minutes) will be awarded a Golden Conch and a cash prize of three lakh rupees. Another Golden Conch and three lakh rupees will be given to the best film/ documentary over 30 minutes duration. There are also awards for best animation film, fiction film and student’s film.Best Debut Director Award: Dadasaheb Phalke Chitranagari will give a trophy and one lakh rupees for the best debut film of a director.
Dr V Shantaram Lifetime Achievement Award will be awarded to an Indian film maker for his/her contribution to documentary film movement, with cash award and a trophy.
The highlights of 11th MIFF are introduction of new categories such as Puppet Films and Remembering Freedom Icons section. Another salient feature is introduction of ‘Best Student Film / Video’ award. This award will give a platform to the student filmmakers to showcase their work and compete internationally.Puppet films: A special segment of the festival this year will be the screening of puppet films. Some of the films that will be screened are Snake and Jewellery, Monkey and Crocodile and Clever Jackal. This will be accompanied by a workshop on puppet film making.
Two sections such as international films and spectrum India, regular feature in the competition section have been reintroduced in the non competition section. This step has been taken to showcase the films that have not made it to the competition. The countries in focus this year are Argentina, Switzerland and Bhutan.
New merged section: From this edition International and Indian Competition Sections have been merged into one competition section. The retrospective section: This is focusing on stalwarts of Indian cinema like Prithvi Raj Kapoor, Mohammad Rafi, Sohrab Modi, Raj Kapoor, Balraj Sahni, Satyajit Ray and others. There will be jury’s retrospectives, women packages; Oscar nominated films, films on immigration issues, environment, global warming and homage to unsung heroes of freedom struggle. Most of the screenings will be complemented by interactive sessions with the filmmakers or personalities depicted in the films.
North East section: Paban Kumar’s (Manipur) latest film entitled ‘Mr India (46 min) documentary on the life of bodybuilder Khundrakpam Pradip Kumar will also be screened at the North East section
The 11th MIFF is scheduled from February 3 to 9, 2010.