Tuesday, January 19, 2010

NAANAYAM MOVIE REVIEW

Review by : Behindwoods review board
Starring: : Sibiraj, Prasanna, SP Balasubramaniam, Ramya Raj. Direction: Sakthi S Rajan
Music: James Vasanthan
Production: Capital Films
A corrupt bank official sets a trap to get even with his blackmailer who in turn is so smart that he saves sensitive documents in the same bank the official is employed in. Naanayam’s premise provides enough scope for an edge-of-the-seat experience. The script employs countless twists and turns, although only a few of them really work – before which the damage of ruining it is already done.On the other hand, stripped bare of its regionalization, Naanayam also feels like inspired from a vaguely familiar Hollywood movie although there’s no evidence to call it a Dead Ringer. We won’t be surprised if it’s one. After all, Hollywood is ridden with movies on bank robbery – and many of them clever and convincing.SPB is the CEO of the Trust Bank, who gets into a complicated trouble and seeks Prasanna’s help to get out of the situation who in his mission to help SPB, gets embroiled in a deeper quagmire. How the duo gets out of the mess forms the rest of Naanayam.SPB’s role is the central plot character of the movie and Prasanna’s role in the latter half contributes to the missing ‘Naanayam’ part of it. Prasanna’s role, as the virtuous

young man, is hardly new turf for him and the fact that he’s convincing isn’t at all surprising. Alternatively, Sibiraj’s role offers him very little; only that it’s different from his usual routine of lead roles.Some of the movie’s escape tricks are very lame – for instance Ramya does a mix of pole-dance-cum-disco to evade the laser beams that protect the bank’s lockers. You simply wonder: whoever came up with that idea!!!James Vasanthan’s songs are just about so-so and have no say in the movie’s progress. Thaman’s background score, however, peps up the scenes and provides it the required perkiness. Editing effects baffle the viewer in the name of novelty and appear more of an obstacle than helping with the movie’s flow.In retrospect, despite all the odds, there’s one thing strikingly honest about the movie: its title. It doesn’t seem to be born out of the urge to appease the taxmen with Tamil titles, but serves as an ironic reminder of what is not present in the movie.

AYIRATHIL ORUVAN MOVIE REVIEW

Review by : Behindwoods review board
Starring: : Karthi, Reema Sen, Andrea, Parthiban.
Direction: Selvaraghavan
Music: GV Prakash Kumar
Production: Dream Valley Corporation
With Aayirathil Oruvan, Selvaraghavan has inadvertently opened the Pandora box of a new genre as yet unknown to Tamil movies – Zombies. It is the case of Pirates of the Carribean meets Dawn of the Death where the ancient Cholas, albeit with whatsoever no connection to the real Cholas as the disclaimer maintains, are reduced to dark-as-charcoal skinned tribesmen living in an unknown island in Vietnam, who are ready to gorge at raw flesh at the mere sight of it since they are starved.So the dark-skinned subjects largely set the tone of the movie and the darkness remains dominant throughout. There is blood and gore, but of a different kind: not the one that makes you squirm, but something that makes you gawk at.Thousands of years ago, when the Cholas were ousted from their homeland by the Pandias, their throne Prince was sent into exile to a secret location by the last Chola King. The Prince also carried with him a priceless statue of the Pandias. No efforts were fruitful at tracing the location and archeologists attempting the same simply disappear without a trace.

Andrea's dad and archeologist Prathap Pothen vanishes into thin air in his attempt to unravel the mystery. In comes the archeologist-cum-gun-wielding-designer-sunglasses-sporting ultra modern chick Reema, employed by the Indian government to trace Pothen. Andrea, his daughter, obviously joins in and they employ Karthi and a gang of burly men as helps. Karthi looks as if he's stepped out of his Paruthiveeran sets to join Reema and Andrea in their quest.Their expedition unfurls nasty surprises after surprises - body-painted weirdos with strange weapons, quicksand, snakes. Lest we forget, there is also a cat fight between Reema and Andrea on the topic 'Karthi'. They finally reach the zombie land where Parthiban is the ruler whose raw-flesh-eating subjects take them into custody. Reema reveals her real self and exposes the self-centric purpose of her quest. Karthi has very little to spare for Aayirathil Oruvan. He plays the rustic help, who instantly falls for Reema and Andrea, who cracks witty one-liners much to our delight in the otherwise serious state of affairs. Being his forte, it comes much easier for him without even having to try. Despite having to mouth profound verses in ancient Tamil, Reema manages to only mime them with improper synchronization and it makes her appear as if she's in a Chinese movie. Andrea is multi-talented, but acting, sadly, is not one of those. But her meager dialogues in Madras Tamil are bang on otherwise. G V Prakash's music stands out in the 'Ommele Aasathaan' song and a word about the background score: it's a battle between the background score and the blood thirsty human screeches. We would've loved to write about Eerum Ali's costume designing if only Reema and Andrea were not strutting around in just one pair of satin-shirt-shorts-overalls and sleeveless top and baggies respectively. Karthi leaves no scope for Eerum squarely. Selva's frenziedly unleashed creativity makes you hallucinate towards the end of the movie and delirium sets in soon. It's not enough that a solid disclaimer is in place, a little bit of research about the subject would've helped things in the process. The underdeveloped script lacks everything - starting from strong plot twists to captive locations to graphics to credibility, above all. Aayirathil Oruvan also ends on a very scary end note: about the journey of the Chola prince continuing as Karthi takes up the mantle.

KUTTY MOVIE REVIEW

Review by : Behindwoods review board
Starring: Dhanush, Shriya.
Direction: Mitran R Jawahar
Music: Devi Sri Prasad
Production: Gemini Films Circuit
Exactly a year after Padikkathavan, Dhanush is back for Pongal 2010 with Kutty, the remake of the Telugu super hit Arya which had featured Allu Arjun in the lead. Very clearly Kutty is not the regular Dhanush entertainer. Dhanush had tried the family and sentiment path in Yaradee Nee Mohini and had been quite successful at it. This time with the same man, who made Yaradee Nee Mohini, he has arrived with a theme of persisting with one’s love and hope even when all seems lost. In short, it is about how one man handles his ‘one side love’ and whether his faith ultimately pays off.For a change, Kutty is a Dhanush film that does not show him as the irresponsible college student who doesn’t care about his studies or future, constantly gets taunted and verbally flayed by his parents and sometimes returns the criticism with some of his witty one- liners. He is the regular college guy with below average looks, low confidence and nothing much that gets him noticed. Shriya is a student in the same college and with her kind of looks she soon becomes the center of attention. While Kutty has already developed a soft corner for her in his heart, she is also in the dreams of one of the most popular guys in the college. The popular guy (Sameer Dattani) also has a very reputed family background. But, even with his kind of profile, it is tough to woo Shriya. He eventually manages

to, but not in the best possible manner and that is where one begins to doubt whether the romance will last. Surprisingly it does, but there are other problems. Marriage is not easy as there are people and forces opposing it. Who supports their love, who opposes it, how do they solve the problems in their life, does their love last through the troubles or does one of them back off when the going gets tough and most importantly what happens to Kutty and his love? Kutty answers this question.The one factor that keeps the interest in the movie going is the uncertain direction of the relationship. We know for sure what is going on in the minds of Dhanush and Sameer Dattani, but we can't comprehend what Shriya is thinking which makes us unable to predict the direction in which the love triangle of sorts is heading, that is the biggest strength of the movie. But, there are also flaws that stop Kutty from touching our hearts. The screenplay does not pick up pace, it is a rather sedate movement of events throughout. Also, the romance, be it the Sameer - Shriya relationship or Dhanush's one-side feelings, don't really get the bells tolling in our hearts which stops us from wishing that a particular pair finally unite; in short, the romance(s) don't connect. The narration is linear and plain which can be assumed to be necessitated by the story which leaves the movie with innate limitations at providing fun and entertainment. Dhanush has tried to liven up the proceedings with his comedy. Though enjoyable in parts, it does not touch the standards that we have got used to in Dhanush starrers. Dhanush has lived the role of Kutty, the simple and shy guy who longs for love. He is the major factor that makes the film work to an extent; it is hard to imagine anyone else in this role. Sameer Dattani does his part without leaving much of an impact. Shriya has got a break from the glamour routine for a change which is a relief, and looks fresh and cute. But, she has missed an opportunity to make her mark as a good actress. The climax portions offered scope for expressing emotional turmoil but she has failed to grab the chance, looking stone faced. Veteran Radha Ravi is his usual commanding self. Meghna Naidu appears in an item number and disappears without much effect, a wasted presence. Technically, the movie does not offer anything special. It is a simple story with minimum requirements; the camera and editing departments have fulfilled them without making any great impression. The music is however a let down, the songs don't get the audience going. Mithran Jawahar has done quite a good job with the dialogues.Kutty is a film that focuses on love and the ways in which it is expressed. It is definitely different from the regular commercial if you take into account that there is no over the top heroism or loud villains. The director has tried hard to make a feel good romantic flick and has partially succeeded. If you don't mind narration that is on the slow side more often than not and if you are willing to compromise a bit on entertainment for the central plot, then you might end up liking Kutt .

CHANCE PE DANCE MOVIE REVIEW

Review by : Harish V
Starring: Shahid Kapoor, Genelia Dsouza, Mohnish Behl, Parikshat Sahni.
Direction: Ken Ghosh
Music: Pritam Chakraborty, Adnan Sami, Sandeep Shirodkar, Ken Ghosh
Production: Ronnie Screwvala
After seeing Luck by Chance and Shortkut last year, about struggling actor’s desperate attempt in achieving stardom, this year starts off with another such story. Though in the first two, the movies were about how people change after attaining stardom, this movie is completely about the struggle. After making a super hit mushy love story and following it up with a flop romantic thriller which still did impress many for the slick film making, Ken Ghosh seemed to have got in him to reach the top. But the failure of his second movie seemed to have made the director more cautious and has again relied on a feel-good underdog story of an upcoming actor and what all he had to meet to achieve his dreams.The movie not just puts some light on the life of a struggling actor who has all the qualities of becoming a top hero but also has specified the importance of strong supporters needed for him to achieve greatness. In this case, the loving dad who wants him to do what he desires yet concerned about his future too, a loving girl-friend who

wants to see the boy-friend achieve great heights, a bunch of school kids to whom he had taught dancing to make him realize that with patience and perseverance anything is possible and last but not the least the car which sheltered him when in-need. The movie thankfully doesn’t lean on melodrama to move forward. The few emotional scenes like the one just before the interval when Shahid succumbs to his ill-luck for the first time and cries out to Genelia, or when he talks about his life on-stage or when Genelia is unable to control her cries when Shahid decides to go back to his home-town, its just perfect. But you needed more such scenes and less of the adventures of him and the kidsThe extended scenes of him performing at the reality shows and also the auditions of few other competitors would have increased the tension or drama but the loose screenplay makes it look like a cake-walk for Shahid which hampers the whole show. The predictability and simplicity of the screenplay works for and against the movie. As some scenes needed the punch and it is clearly missing. The father-son relationship has been handled with finesse and seems so believable and cute.The theatre was filled with hoots and whistles from the fairer sex once Shahid starts of the title song on screen and it hits hysterical levels when he takes of his shirt for the climax song. Shahid is indeed growing in stature and as well into a fine actor. Apart from over doing of few facial expressions the young actor seems to have finally settled on to a rhythm, a rhythm which gladly is not imitating that of Shahrukh anymore. He sets the screen on fire when it comes to dancing which forms the basis of the entire story, thanks to some superb choreography work by Ahmed Khan and Marty Kudelka. Genelia is cute and does her work with conviction. Mohnish Behl is strictly ok, Parikshat Sahni is believable in a role which he has mastered over the past few years.Overall its a clean and decent movie which could have worked wonders if some more drama is included but overall a cute film which harms no one. But it looks like a movie to showcase the dancing abilities of Shahid.

Ajith new look in Asal Movie Triler stills

Ajith, Asal, Stills, Mp3, Songs: Ajith's new look in Asal movie





































































Wednesday, December 30, 2009

Kannada actor Vishnuvardhan dead


Kannada film industry's super star Vishnuvardhan died of severe heart attack at the age of 60 years in Mysore on Wednesday early morning. He died on his way to Vikram Hospital in Mysore from Metro Polo Hotel. On Wednesday (30th December 2009) early morning around 2.30 am Dr Vishnuvardhan complained of chest pain. Dr.Vishnuvardhan is next to Dr.Rajakumar in popularity in Karnataka. He has acted in 200 films in Kannada and richly popular for his friendly nature and good deeds. After the death of Dr Rajakumar on April 12 2006 the passing away of Dr.Vishnuvardhan after three years eight and half months is a huge loss to Kannada cinema industry. Dr Vishnuvardhan took the treatment on Tuesday evening at 5 pm and moved to the hotel where he was staying in Mysore. Sadly he developed severe problem early on Wednesday morning. He leaves behind actress wife Smt. Bharathi Vishnuvardhan, Keerthi and Chandana adopted daughters and son in law actor Anirudh. Dr Vishnuvardhan was brought from Mysore to Bangalore around 8 am on Wednesday morning. The body will be kept in his 4th T Block Jayanagar residence till 10.30 am. Then for public darshan the body of Dr Vishnuvardhan will be kept at Cosmopolitan Club grounds in Jayanagar from 10.30 to 4 pm. The Chief Minister of Karnataka BS Yediyurappa has ordered for state honors to the agile actor. The cremation of Dr Vishnuvardhan will take place today evening.


Kannada actor Vishnuvardhan dead30 Dec, 2009 10:36 am ISTlIANS
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Born to HL Narayana Rao and Kamakshamma in 1950 at Chamundipuram Mysore his original name was Sampath Kumar. He was rechristened as Vishnuvardhan by doyen of Kannada cinema SR Puttanna Kanagal from ‘Nagarahavu’ Kannada cinema in 1972. He was crowned many awards and accolades in his career spanning 37 years. He entered the film industry at the age of 22 after completing schooling in Mysore and graduation from National College, Basavanagudi in Bangalore. Dr Vishnuvardhan married actress Bharathi on 27th February 1975. Starting from a small role in ‘Vamshavruksha’ Dr Vishnu rose to top notch from ‘Nagarahavu’ Dr Vishnuvardhan reached the pinnacle in action, sentiment, comedy and devotion filled roles. He was the ‘Aptharakshaka’ of Kannada cinema. ‘Aptharakshaka’ is his sequel to ‘Aptha Mithra’ directed by P Vasu was all set for release. Another film set for release was ‘School Master’ in the direction of Dinesh Baboo. ‘Aptha Rakshaka’ was a bad omen to some of the actors Dr Vishnuvardhan was explaining in Mysore two months ago on the sets. Before the release of ‘Aptha Mithra’ actress Soundarya died in plane crash. Now before the release of ‘Aptha Rakshaka’ the sequel Dr Vishnuvardhan departs. The top ranking films of Dr Vishnuvardhana are – Gandhadha Gudi, Sahasa Simha, Devara Gudi, Kalla Kulla, Simha Jodi, Nagara Hole, Bandhana, Muthina Haara, Malaya Marutha, Lion Jagapathi Rao, Rayaru Bandaru Mavana Manege, Laali, Veerappa Nayaka, Simhadriya Simha, Jamindaru, Nishkarsha Aptha Mithra, Kiladi Kittu and others. He was the winner of state award for seven times and got Film Fare for five times. Dr Vishnuvardhan from ‘Nagarahavu’ to ‘Ballari Naga’ has acted in 200 films. He was suffering from severe sugar complaint. The health deteriorated after his ‘Padayatra’ to flood relief he had taken up recently. His last meeting with the media friends was in his residence after the release of ‘Ballari Naga’. Dr Vishnuvardhan besides winning many awards was recently crowned the Dr.Rajakumar award for his contribution in the 2007-2008 Karnataka state film.

Friday, December 18, 2009

Avatar Cinema in december 18th


Avatar, also known as James Cameron's Avatar, is an American 3-D science fiction epic film written and directed by James Cameron, and was released on December 16, 2009[1] by 20th Century Fox. The film is co-produced by Lightstorm Entertainment, and focuses on an epic conflict on Pandora, an inhabited Earth-sized moon of Polyphemus, one of three fictional gas giants orbiting Alpha Centauri A. On Pandora, human colonists and the sentient humanoid indigenous inhabitants of Pandora, the Na'vi, engage in a war over the planet's resources and the latter's continued existence.[5] The film's title refers to an avatar, a 3-D representation of a real person in a virtualized world.
The film will be released in 2D and 3D formats, along with an IMAX 3D release in selected theaters. The film is being touted as a breakthrough in terms of filmmaking technology, for its development of 3D viewing and stereoscopic filmmaking with cameras that were specially designed for the film's production.[6]
PLOT
In the year 2154, Jake Sully (Sam Worthington), a former U.S. Marine paralyzed from the waist down due to wounds sustained in combat, is selected to participate in the Avatar program. Originally, the position was supposed to be filled by his identical twin brother Tom, but he was recently killed in action. Arriving from the six-year journey from Earth to Pandora, Jake awakes from cryosleep with hundreds of other personnel to work at the human colony on this inhabited Earth-sized moon of Polyphemus, one of three fictional gas giants orbiting Alpha Centauri A.
Jake meets with Colonel Miles Quaritch (Stephen Lang), a hardened and seasoned military veteran who is in charge of the colony. Quaritch welcomes the new personnel and soldiers and briefs them on Pandora. It is mostly covered with lush rainforests and wildlife, and home to the primitive Na’vi, a sentient race of tall, blue-skinned, cat-like humanoids. The colony personnel and military are under the jurisdiction of the Resources Development Administration (RDA), a non-governmental organization back on Earth. Jake is introduced to Norm Spellman (Joel David Moore), a biologist who arrived on the same batch of personnel as he did, and Dr. Grace Augustine (Sigourney Weaver), a botanist as well as the leader of the Avatar program, which allows humans to control avatars, which are genetically engineered human-Na’vi hybrids who look like Na’vis. A human's avatar contains DNA of that individual human; however, being identical twins, Jake can control Tom's avatar (that is the reason Jake was selected after Tom's death). While a human controls an avatar he is positioned in a kind of coffin in the lab, and his own body is asleep. During breaks, for example to report back and to eat, the avatar is at rest. Reasons for using avatars are that humans are unable to breathe Pandora's air, and bonding with Na’vi is easier with a similar body. In the case of Jake, an advantage is also that his own body being paralyzed is not a problem.
Using the avatars, Grace and her team have made some considerable progress teaching some Na’vi their ways and English as well as learning their language and culture. Grace is not pleased with RDA administrator Parker Selfridge’s (Giovanni Ribisi) decision to use Jake to replace his brother’s avatar position, as she will have to spend time training him in Na’vi culture as well as teaching him how to control his avatar. Parker stresses that RDA needs to mine the extremely valuable mineral unobtainium, which can be found in huge deposits on Pandora. Meanwhile, Quaritch makes Jake his informant to collect information on the Na’vi and their home, the Home Tree, which has huge deposits of unobtainium buried deep below its surface. He wants Jake to gain their trust and convince them to leave their home within three months.
After being trained for several weeks in his new body, Jake, Grace and Norm explore the native wildlife with Trudy Chacon (Michelle Rodriguez), a retired Marine pilot who is assigned to ferry them to their location. While Grace and Norm study the wildlife, Jake encounters a group of Hammerhead Titanotheres, a rhinoceros-like animal species. However, the Titanotheres flee from a Thanator, a terrifying land predator. Grace shouts at her group to flee. Jake runs from the Thanator, who is after him, and loses his equipment and weapon in the process. He narrowly escapes death from the predator and falls into the raging rivers below.
As darkness falls, Jake creates a fire torch using a sap substance on the trees, and once more runs and fights a large group of small sized Viperwolfs. A female Na’vi named Neytiri (Zoe Saldaña) rescues him and kills several of the Viperwolfs before they all flee. Neytiri is at first annoyed with Jake for having caused her to kill the Viperwolfs needlessly and leaves him. Jake goes after Neytiri, who tells him not to follow as she knows he is an avatar hybrid - a dreamwalker from the sky people. Jake is caught by her fellow Na’vi, but Neytiri defuses the situation by telling her people that she witnessed him being chosen by the seeds of Eyra, a spiritual entity that the Na’vi worship, which indicate him as a pure spirit.
Meeting Eytucan (Wes Studi) and Mo’at (C. C. H. Pounder), the king and queen of the Omaticaya tribe, who are also Neytiri’s parents, Jake presents himself as a warrior “dreamwalker”, a term the Na’vi used to call the avatar hybrids, with his intention to learn from them. Eytucan and Mo’at agree to teach Jake, making a reluctant Neytiri his tutor. From that day on, Jake spends his time learning the ways and culture of the Na’vi warriors, while jumping back to his original human body to report to Parker and Quaritch on information regarding the aliens. One day, Grace arranges for the Avatar team to be transferred to a remote camp on one of the floating islands to continue their program. Norm informs Jake that Grace knows and disapproves his regular communications with Quaritch, hence the team’s move.
In his avatar form, Jake learns how to bond and control his flying Banshee, while gaining respect and admiration from the Na’vi, his relationship with Neytiri continuing to grow, but also earning the jealousy and annoyance of Tsu’Tey (Laz Alonso), Neytiri’s brother and next in line to be the clan leader. Reporting back to Quaritch, the colonel wants Jake to begin his plan to convince the tribe to leave the Home Tree, but Jake is now reluctant and weary of his fellow humans to exploit the moon’s resources. He tells Quaritch that he will attempt to convince the tribe once he is made part of the People, a ceremony granting the greatest honor to an avatar. That night, Jake undergoes the ceremony where Eytucan considers him as one of their own and made part of the People, with Grace and Neytiri looking on. While on a hunt, Jake and Neytiri encounter several bulldozers, sent by RDA, destroying the nearby forests. In his attempt to stop them, Jake destroys one of the machine’s camera arrays. Returning to the Home Tree, Jake reveals he was sent by his superiors to convince the tribe to leave. He attempts to explain to the tribe that the humans will destroy them and their home if they don’t leave, but they are too upset by his apparent betrayal to listen. Neytiri refuses to listen to Jake’s explanations while Tsu’Tey attempts to kill him. Before anything else can happen, Jake and Grace are suddenly sent back to their human bodies when soldiers sent by Quaritch arrive and open their pods to take them back by force.
Quaritch and Parker have seen footage of Jake destroying the bulldozer’s cameras and have checked his entry logs, indicating him as losing interest to participate in the plan as well as committing possible treason. Grace tells an unbelieving Parker that the trees and plant life make up a huge network which connects the spiritual consciousness of all life, including the Na’vi, and must not be destroyed. Given a chance to attempt a final plea to the tribe to leave their home, Jake and Grace return to their avatar forms but are instead caught and bound by the Na’vi, who intend to defend themselves. A large strike force led by Quaritch destroys the Home Tree, burning it to the ground, while killing large numbers of the tribe, despite their attempts to retaliate. Mo’at releases Jake and Grace from their bonds and pleads them to save her tribe. Eytucan is killed in the destruction, leaving Neytiri devastated. She tells Jake to stay away when he tries to comfort her. In the chaos, Jake and Grace are sent back to their original bodies to be placed under arrest for treason, along with Norm, who tried to stop the military from disabling their avatar forms.
Trudy Chacon rescues the Avatar team from prison and flies them to safety, however Grace is shot by Quaritch when he attempts to stop them from leaving the colony. The team has the camp container holding the avatar transfer pods sent near the Tree of Souls, where the remaining Omaticaya tribe has fled to safety. Jake makes a plea to Mo’at to save Grace from dying by having her consciousness transferred permanently to her avatar form, using the Tree of Souls, before her human body expires. However, it is too late, as Grace is too weak to be transferred. Before she passes away, she tells Jake that she’s seen Eyra and the holy entity does exist. Later, Jake returns to his avatar form, which had been abandoned in the chaos. He makes his intention to redeem himself in the eyes of the Na’vi and successfully tames and controls a Leonopteryx, a flying creature bigger than the Banshee, which a Na’vi has yet to accomplish in 4 generations, since Neytiri's grandfather's grandfather. Reaching the Tree of Souls, he asks Tsu’Tey, who has been made clan leader, and the entire tribe to stand with him and face the humans. Earning back the tribe’s trust, Jake makes plans to join forces with other clans to strike back at the human forces. Surveying the Na’vi, Quaritch learns that other clans have converged with the Omaticaya at the Tree of Souls and decides to destroy them and their holy ground to put an end to their defiance once and for all.
A huge military fleet commandeered by Quaritch approach the Tree of Souls, with the intention to blow the area up. Thousands of Na’vi warriors led by Jake and Tsu’Tey take to the skies and attack the fleet, causing huge losses on both sides. Neytiri is knocked off her Banshee and flees the military ground forces, while Norm’s avatar is shot and killed, forcing him to jump back to his original body. Tsu’Tey makes a valiant attempt to take down the shuttle carrying the explosives, but is killed in the process. Trudy goes against her fellow humans and attacks Quaritch’s ship which was attempting to shoot down Jake, but ends up having her ship shot down, killing her in the explosion.
When all things seem bleak, the native wildlife of Pandora strike back in force, which Jake earlier made a plea to Eyra for help. The ground and aerial troops are scattered by the wildlife and destroyed, while the shuttle carrying the explosives is destroyed before it reaches the Tree of Souls. Neytiri hitches a ride on a Thanator. Jake manages to bring down Quaritch’s ship, but the colonel manages to get into his AMP mech and escape the ship’s destruction. Finding the camp containing the avatar pods by chance, Quaritch attempts to destroy Jake’s body but Neytiri and her Thanator attack him. However, Quaritch kills the Thanator with his AMP and is about to kill Neytiri when Jake arrives to challenge him. After a short fight, Jake destroys the AMP’s life support but is caught in the mech’s grip. Neytiri saves Jake by planting two arrows into Quaritch’s chest, killing the colonel. The camp is damaged during Quaritch's attack and leaks oxygen, leaving Jake's human body almost dying from the poisonous air until Neytiri helps him put on his breath mask.
Having put an end to the military’s attack, the Na’vi round up the remaining humans to be sent back to Earth, never to return, while allowing a select group to stay with them on Pandora, which includes Jake, Norm and the avatar team. Jake decides to stay in his avatar form forever, and concludes his final entry log of his experiences. Returning to the Tree of Souls, he undergoes the consciousness transfer from his human body to his avatar form, and awakens to a new life as a Na’vi.