Thursday, April 7, 2011
Going by the promos, one would have expected that 'Thank You' is yet another Akshay Kumar dominated show where he gets the best scenes and dialogues for himself while hogging all the limelight. However what one sees is Akshay being one of the driving factors here instead of being the sole actor who is carrying the entire film's weight. Of course he is the key to the entire movement of the film's n 
Just before you think that F.A.L.T.U. is yet another college romcom in the offering, hold on for a second. That's because the film is not a romcom, it is indeed a 'dramcom' where drama and comedy run parallel to each other... 
'Game' could well be considered as amalgamation of two different styles of film making coming together. While the first half belongs to 'this-is-indeed-serious-business' variety for the mature/thinking audience, the second half takes a comic book approach which is more appealing to teenagers and youth. 
There are bad films and there will be bad films but this one takes the cake. In fact in front of 'Happy Husbands', you end up wondering whether another small time film called 'Impatient Vivek' (again featuring a bunch of non-actors) which had released a few months back was far more engrossing... 
Director Sushen Bhatnagar has earlier made a film called 'Soch' (Danny Denzongpa, Arbaaz Khan, Sanjay Kapoor, Raveena Tandon) [2002] which was again a dramatic thriller and had it's moments for most part of it. Now around a decade later with 'Monica', he has taken a big step ahead... 
Aah, now this one could really have been better. This is what one ends up exclaiming as the concluding reels of 'Yeh Faasley' start running... 
A few weeks back came 'Yeh Saali Zindagi' which had it's lead protagonist Irrfan Khan valiantly in love with Chitrangda Singh who instead loved someone else.... 
Kids – the biggest customers of the world are the toughest to be pleased and in this growing age of CGI heaviness along with the bombarding of more and more bindaas, cartoon networks and Disney to name a few in the comfort of your sofa cum bed, this tiny little cinegoer is becoming more smarter and jazzier... 
This statement pretty much summarises what the character played by Priyanka Chopra goes through in '7 Khoon Maaf'... 
Every generation deserves its own phrase-generating movie that is made keeping children in mind. Those which have stayed for long and will remain are Satyen Bose ‘Jagriti’ (1954), Gulzar’s ‘Kitaab’ (1977) and Nagesh Kukunoor’s ‘Rockford’ (1999)... 
Choreographer turned helmer Ganesh Acharya fetish for 70’s came into existence when he gave his first impression as a helmer in ‘Swami’ which moved a bit. The movie starring Manoj Bajpai and Juhi Chawla didn’t ring much bells but Ganesh entry into the helmers club was welcomed... 
One can't deny the fact that audience is well prepared for the mandatory high, low and ending points of 'Patiala House'.... 
Telling the incidents that happened one night, 'Utt Pataang' is an intelligent film that entertains while maintaining a fun element right through its 100 minutes duration.... 
Old world charm - That's the major most reason for one to check out what 'Hum Dono Rangeen', the coloured version of Dev Anand's 'Hum Dono', has to offer... 
'Yeh Saali Zindagi' is the kind of outing that makes you believe that Bollywood indeed has some folks out there who are trying to do things differently when it comes to making films and yet ensuring that commercial elements are well integrated into the storytelling... 
A couple of years back Amitabh Bachchan had commented that if there was one film maker who had the potential to carry forward the legacy of Hrishikesh Mukherjee and Basu Chatterjee, it could be Madhur Bhandarkar... 
Question: How you mold your life? Answer: By the choice we make and the chances we take centering on things, people and places we are in. Kiran Rao’s introduction before ‘Dhobi Ghat’ was not much more than a wife of superstar Aamir Khan but with this movie, the helmer in her very first attempt has washed her resume with an artistic detergent and updated it as a helmer who thinks beyond Bollywood.. 
B-town transporter of desi political and crime exotica Prakash Jha goes urban as a producer to explore the feelings of a thirty year old hottie in this Bollywood explanation of its sex and the city... 
Yamla Pagla Deewana’ is a fulfilled tribute to the spirit of Bollywood which reconfirms that Indian cinema of yore can never be ‘lost’ and it should be ‘found’ periodically to give us a ‘feel good’ feeling in this troubled times... 
For a film like this which is based on reality but is told in a thrilling manner, it was always a thin rope to walk for the makers... 
First things first, 'Vikalp' isn't meant for 'aam junta' by any means. Since the film talks heavily about risk, security, code, hacking devices etc., it would be mostly indecipherable by a large segment of audience. Nothing wrong with that... 
In case of 'Impatient Vivek', there isn't any redeeming factor whatsoever. Actors don't act, director doesn't direct, story writer doesn't write a story good enough and the technical crew doesn't bring in any finesse to the product. End result? A total disaster which even makes one forget that even the title of the film was totally indecipherable to begin with... 
Major most culprit of 'Isi Life Mein' is that the love between the protagonists can hardly be felt. What adds salt to the injury is the fact that even while her marriage is on, Sandeepa is shown to be quite happy and doesn't once express any emotion whatsoever for Akshay. On the other hand the boy too just about gives up and never reaches out to her. 
'Toonpur Ka Superrhero' is a visual experience that needs to applauded for the sheer attempt that has gone into it's making. As for the story of 'Toonpur Ka Superrhero', it is the kind that can be instantly grasped by children, its target audience. There is a world somewhere far far away and it is called 'Toonpur'... 
'Tees Maar Khan' isn't a film where one has to hunt for logic in every scene. Even the humour here isn't the kind where one is required to find any subtle references. In fact every scene that makes you bring on a smile or a laugh is on your face and announces it's arrival loud and clear. Subtlety wasn't expected from this first ever collaboration of Akshay Kumar and Farah Khan and for that reason, 
There aren't many plot based movies made in Bollywood. In that context, it is refreshing to see a film that stays on a single theme, presents enough twists and turns all through those couple of hours, manages to hold your interest right through the proceedings and (barring a few moments) doesn't fall into the trap of clichés... 
It wasn't too long ago when the infamous real life incident took place in the city of Mumbai where a young man had hijacked a bus, announced that he was in the city to kill a political bigwig and was later shot down by the cops. Apparently, his aim was to gain country's attention towards the migrant issue of North Indians in Mumbai that had been the cause of tension for a few months then... 
'Kaalo' comes with a good premise. After all there hasn't been any creature based horror film made in Bollywood and that too while being presented in day horror genre. In that context, one does want to check out what 'Kaalo' is all about as it promises good share of scare factor coupled with thrills... 
Oh yeah…. This is a rare Bollywood arousal. Bollywood grows and becomes more passionate after making a sarcastic remark on Amrika last week; this one raises and satisfies your hormones of fun, masti with its naughty level of horniness, ‘Mirch’ is a film with a one-track mind and a single ambition to entertain with layers and should happily wear that crown until another film sets out to steal it... 
'Band Baaja Baaraat' is one colourful and vibrant film that should finally end a continued draught that Bollywood has been facing ever since 'Golmaal 3' came and went... 
If the only thing that actually stays with you (unfortunately) is a climax which is actually one of the biggest letdowns ever in last few years of movie making at the least, you know that something is really wrong with a film. Really, even in 'Welcome' and 'Singh Is Kinng', one had complained of a shaky climax sequences.... 
When you venture into 'Khelein Hum Jee Jaan Sey', you expect a wide canvas, spectacular visuals, sense of euphoria, high octane drama, some thrilling moments and of course apt amount of detailing... 
It is always refreshing to hear new stories. Also, in the times when success of one romcom is followed by dozen more films belonging to the same genre being announced, a couple of comedies a month... 
Ram Gopal Varma deserves credit to make 'Rakht Charitra 2' a definite watch as he ensures that despite a violent theme to this blood curdling saga, there are strong emotions that go with the flow of the narrative.... 
'A Beautiful Wife' proves all over again that not everything which comes from the West is always glittering gold... 
'It's complicated' - sighed Himesh Reshammiya when he turned lover boy for 'Radio'.... 
The subject of juvenile crime being touched in Hindi cinema isn't something totally new... 
Really, ten minutes into the film and you start wondering - 'Kya aisi filmein ab bhi banti hain'? Reason being that 'Deewangi Ne Had Kar Di' is truly a terrible piece of cinema.... 
'Shahrukh Bola...' would easily hold the distinction of being one of the most pointless and lacklustre films to have hit the screens this year.... 
Bhansali throws a pleasant surprise by opening up 'Guzaarish' within 10 minutes. He doesn't beat around the bush and instead sets the film's context (mercy killing) pretty quickly...... 
The storyline, if one can even credit 'Raama - The Saviour' to be boasting of one, is a total mishmash. A bunch of kids begin to play a video game and find themselves in a virtual reality world. This is a world which is an island where body builders of all shapes and sizes happen to collide with each other... 
I don't remember when was the last time since the release of '13 B' did I really enjoy watching a horror/supernatural film from start to finish... 
Darling.. so its time for ‘Angels In Bollywood’ to do a ‘Brokeback Mountain’….. does 'Dunno Y Na Jane Kyun' ‘Milk’ its way to a life time Bollywood glory of a serious gay love story…... 
One can safely say that Rohit Shetty has cracked the formula. Whether it is Priyadarshan, David Dhawan or Anees Bazmee - each of the film makers is known for the brand of cinema that they generate year after year. Now join Rohit Shetty to the list. After watching 'Golmaal 3', one can declare that Rohit too knows what is expected from him. And he delivers. Each time around. 
'Action Replayy' is one film which is arriving as an underdog this Diwali. The film doesn't scream and excites audience by proclaiming - 'Hey, look I am cool' or 'See, Akshay Kumar would be seen as a Mr. Smart Know All' once again' or 'The gags are such that you would fall off your seats'. 
The lead protagonist in 'Nakshatra' (played by Shubh) is someone who doesn't quite stand a chance to be a script writer in Bollywood as he detests borrowing from Hollywood DVDs.... 
Once the opening credits start rolling, you know there and then that it would be an amateur attempt at best..... 
The Indianised version of Vittorio De Sica's Italian classic ‘Hello Elephant’ works as a cinema because of its local flavor, realistic performance and authentic picturisation of the beautiful landscapes of Uttarakhand..... 
Its okay for a film to have a simple plot. However, when something that can be told in a 45-60 minutes short story is stretched to two hours, there are all the right reasons for boredom to set in... 
'Jhootha Hi Sahi' is the kind of film where a constant smile on one's face is guaranteed for those two and a half hours. Credit for that goes to two men - Abbas Tyrewala and John Abraham..... 
At the core of it, 'Rakta Charitra' is a revenge saga which has been smartly woven around politics, caste difference, opportunism, 'goondaraj' and personal vendetta... 
Honestly, I have seldom hated a film or felt disgusted by its content. After all no film maker in his right intention wants to attempt something that is a complete waste of time, effort and money. 
The title of the film is a complete misnomer as it doesn't give out any idea whatsoever around the theme of 'Knock Out' which is that of black money being accumulated by politicians across the country. 
The strength of 'Ramayana - The Epic' lies in the fact that it unfolds as a commercial action drama rather than one of those regular run of the mill animation affairs. While animation films usually get trapped in either bringing on those unwanted comic moments or a dozens of special effects laden action scenes (mainly to appeal to the kids), 'Ramayana' keeps its focus on drama by means of visuals 
'Aakrosh' turns out to be an out and out dramatic affair that almost unfolds like a mystery being sold. There are thrills galore and the narrative is also sprinkled with enough action packed moments to keep the masses happy.... 
Aaah, come on now? Can't we grow up? Even if we are making films for kids, can't we have something really exciting, really enthralling and really noteworthy enough? When an animation film like 'Lava Kusa' arrives, it just makes one believe that it serves us right to see a 100% failure record here in this genre of cinema. 
'Do Dooni Chaar' throws a surprise, a pleasant one at that, as the film gets on track within first 10 minutes itself... 
'Crook' (thankfully) stays away from turning into a serious affair, a la 'MyName Is Khan' which again dealt with racial abuse. Religion was the point ofcontention in the Shah Rukh Khan drama whereas it is difference innationality which is the core of 'Crook'. Also, the film refrains from beingfrivolous by turning it's lead protagonist into an overnight hero. Hearrives in Australia as a c 
As is the known fact by now, 'Anjaana Anjaani' is about Ranbir Kapoor and Priyanka Chopra who meet on a bridge where they are preparing to commit suicide. The moment one senses an interaction beginning between the duo, you are pretty much sure about how the story would end. 
It is a movie with soft corner for the bar dancers of Mumbai. Sometime back dance bars, where girls danced before the clients while they had their drinks, were closed down by the state government... 
'Robot' is the kind of film that leaves you with an enthralling feeling once it ends. In fact you are almost breathless as the end credits start rolling since the action is so fast moving, energetic, imaginative and above all, well executed that you can't afford to look anywhere else but the screen. 
This zany family which debuted on the small tube in the early 2000s on STAR Plus which adopted the Western model... 
It is a film about the dilemma faced by ambitious career women. Raising a family would interfere with the progress of their career. How can a woman take maternity leave for six months when her career is galloping forward. She has important tasks assigned to her... 
Promotions can be deceptive and now you understand why the Bollywood macho man, the beefy Salman Khan with a heart bigger than his biceps was so eager to promote this much hyped Indian ‘confused’ version of spaghetti westerns which comes almost a year after the money spinner ‘Wanted’... 
The pioneer in Bollywood legal adaptation starts as a mature family comedy but as the reel progress its ends up as a factory tear jerker as ordered... 
Honestly, this comedy on male chauvinism had enough potential to ensure a decent run but the 2010 inspiration of the 1994 Kamal Hassan starrer.... 
Bollywood gets real, reel after reel, week after week. After Peepli (Live), it’s time to get more serious amidst Commonwealth scam and our neta’s pay hike. 
After not a quite memorable experience with ‘Badmaash Company’, Bollywood premiere production company YRF.... 
Kudos to Aamir for his believe in such thinking sensible cinema and journo turned filmmaker Anusha Rizvi for a just perfect film that amazingly balances and respects the genre and its audience the thinking walas and real cinema rasiks.... 
All Sympathies to Sonam Kapoor, who has been chosen by some as Bollywood’s latest flavor of the month... 
The film has its strengths, It is fastidious in its quest to recreate the styles, manners, talk and cultural minutiae of the 70’s 80’s the ‘Deewar’, ‘Dharmatma’, ‘Oonche Log’ type of goonda movies we loved in our childhood and still do. 
After the innovative ‘Tere Bin Laden’ by a newbie, here comes the promised one by the proud committee members of Bollywood laughter’s, the reliable Priyadarshan and the dependable superstar Akshay who recently made the theatres... 
Disappointing, when a national award winning maker like Rahul Dholakia who made the sensitive ‘Parzania’ tackles the burning issue like ‘Kashmir’, you expect something unknown, untold will be revealed in a stark and sensible manner. But what is this... 
Anurag Kashyap’s cinema is radical, it defines norms but the question is how far can one Go? Its not ‘unbelievable’ that some people don’t ‘believe’, but a good cinema always tells two sides of a story... 
For all those who where wondering Bollywood getting serious nowadays, this crazy, undeniably hilarious, juvenile, smart, mad caper came down the pike & steals the show... 
Well the timing is perfect for such a film to hit the screen when our channels are kept busy by the naxals... 
Kash ye agar 2006 hota toh ye picture semi hit toh jarror hota. But the ‘timing’ of the almighty and the thing called destiny cannot be explained... 
Candy floss days are here again, ‘IHLS’ is happy bubble but cliché where Imran and Sonam come into their own as confident young performers bringing the candy gloss days back.... 
Rata riti hota hai……… Rata meri jaan rata rat a rat, rattling hai mahan rata rat ta rat. Change the world by shouting and breaking the audience parda in the ears that’s what Mehul Kumar the erstwhile entertainer feels... 
It looks like a take off on Vinod Pande’s ‘Ek Baar Phir’ and Yash Chopra’s ‘Silsila’. Naved Aslam and Aruna Shields play the roles of Mr. Singh and Mrs. Neera Singh... 
Master helmer Mani Ratnam again proves his technical brilliance in this modern take of ‘Ramayana’ and dares to be different.... 
Partho Gosh whose stories are centered around women and who has given us hits like ‘100 Days’, ‘Agnishakshi’ and ‘Daalal’ now chooses Gwyneth Paltrow's starrer ‘Sliding Doors’ as his next churner starring his favorites Jackie and Manisha... 
Prakash Jha mixes the elements of the greatest epic in the world the ‘Mahabharata’ with the mighty superior on screen drama ‘The God Father’ and gives us a studiously sincere film... 
The much hyped Hrithik Roshan starrer with a Mexican bala Barbara Mori as his co-star, a decent helmer like Anurag Basu and a reputed banner like Rakesh Roshan’s Filmkraft which has given quality entertainers in past turns out as a major disappointment.... 
The 2nd follow-up of the ‘3 Idiots’ tradition comes with a warning. Censor board decides the age limit of viewing and this flick demands... 
Dear Priyan, what have you done? Milli delicious irani kebab ki recipe aap ne isme kyun Indian haddi dalne di. Joota karne laga chur chur aur audience ho gayi isse duur (away). .... 
Gurinder ‘bends’ this like a weirdo. ‘It’s a Wonderful Afterlife’ is a dark comedy that yields strange reactions rather than outright laughs. 
‘Badmaash Company’ is a film about guys in haste who wanna smell money as soon as possible, the movie has a ‘real’ feel to it. Efforts can be seen in first timer Parmeet Sethi’s attempt which is more authentic towards being a drama which ironically runs on a handsomely budgeted thriller lane that ‘steals’ the movie’s prospects to be a crowd-pleaser... 
The aptly named ‘Housefull’ captures that jolly crowd who don’t care a damn when it comes to laughter and easily within seconds you come to know that this flick has hit written all over it. 
Some films are made for passion, some for compassion and some for impression but ‘Kuch Kariye’ is an objection..... 
It’s hard to believe that Anurag Kashyap who advocates changes in Bollywood cinema can write such an amateurish film..... 
If anyone loves a trend, its Bollywood. Jag Mundra makes a futile attempt in chasing hard on a pack that started by early 90s smashes such as ‘Basic Instinct.. 
Imagine a Bollywood flick set during 1982 but without a single song during the gritty two hrs thirty minutes even after having all the ingredients, pathos of a Bollywood masala affair.... 
With all respect to Bollywood’s scareamia Ram Gopal Varma, after watching ‘Phoonk 2’ you come across a feeling that first timer Milind Gadagkar was not the right choice to pilot this one.... 
Choreographer-director-writer Ahmed Khan turns producer with ‘Paathshaala’.... 
First time helmer Kookie in a story by Shiraz ‘coins’ this memory loss thingie into a ‘who am I actioner’.... 
Writer Milap Zaveri’s debut as a helmer is a tedious undesirable corporate blunder which asks the question ‘Jane Kya Film Banai Hai’, is it suppose to be a film or a joke... 
In the age when borrowed experiments techniques and trend define the growth of cinema, but fails to find its audience, Aparna’s film demands an audience.... 
Sanjay Gupta Art House pursuit of the great Indian happiness, peace is more theatrical, talkative and less cinematic... 
Expect the unexpected with Sanjay Gupta’s White Feather Arthouse bold and shocking ‘Pankh’.... 
No harm to be cliché, no harm to be melodramatic and absolutely no harm to be a typical Bollywood masala stuff...... 
Post ‘Krantiveer’ Nana and Dimple Bollywood’s bundle of talents come together after fifteen years to stir us with their cappuccinos as we watch them for 2:10 minutes and asking for Eno... 
Shyam Benegal – the pioneer of ‘middle cinema’ does it again. ‘Well Done Abba’ is a double whammy. After the success of ‘Welcome to Sajjanpur’ Shyam in this light heartner........ 
‘Mittal v/s Mittal’ is a manufactured and staid drama that only trivializes the social illness of domestic violence within this seemingly stable household. Basically, sensationalizing spousal misconduct for frenetic dramatical purposes feels pathetically unctuous..... 
Arshad turns producer with ‘Hum Tum aur Ghost’, - comedy on the idea of love and humanity with sprinkles of psychophrenia syndrome. .... 
After the intelligence in ‘Oye Lucky! Lucky Oye’, Dibakar Banerjee in association with India’s soap queen Ekta Kapoor ... 
Post 1920 Vikram Bhat comes with a teen soap opera titled ‘Shaapit’, no thrill, not a single scary scene, and wooden acting with two new pretty faces.... 
As earnest and well-intentioned, first time helmer Sanjay Puran Singh Chauhan’s ‘Lahore’ is a high-minded sports drama attempting not only to merge brotherhood.... 
Its tribute times in Bollywood, well the wanted /unwanted homage to Hollywood continues with ‘Hide & Seek’, but this time itsmells like a ‘Teen spirit’ popularly known as ‘teen horror’ in US of A where ‘Jimmy didn't had a gun’ but the guy dressed assanta... matlab mad max on a shopping mall street... 
What's old has been made fine and new in ‘Right Yaaa Wrong’. Writer Neeraj Pathak who makes his debut as an helmer with the labeled Bollywood action hero Sunny Deol..... 
‘Rokkk’, coming after ‘Click’ this week’s Bollywood’s scare call unfortunately has little personality of its own..... 
Yes, it defines the routine Bollywood norms; yes it’s not the normal cinema of yore but does it strikes any chord? The answer is no... 
He sings and dances to the bhajan of Maa in “Bidi jaleile” tune, while he asks his chachaji to leave his modern society and city in a K.L. Saigal way..... 
‘Teen Patti’ is a huge corporate blunder but what is more disturbing is to see two stalwarts of acting Big B and Sir Ben Kinsley coming..... 
‘Karthik Calling Karthik’ is a movie that one can admire without exactly embracing it.... 
Toh baat pakki (its clear) that even a slight recall of the nostalgia called Basu Chatterjee still fills the air with freshness and media shy or angry…. 
‘Click’ helmed by Sangeeth Sivan is a first Hollywood inspired horror which was a remake of a Thai horror flick.... 
The reunion of arguably the best on screen pair Kajol and SRK in Karan Johar’s ‘MNIK’ might be in news for every wrong reasons..... 
‘Striker’ is a movie that keeps jumping the gate and finally unravels all over the floor. A murky mélange of borrowings from far superior Bollywood drama thrillers based on the life’s in Mumbai interiors... 
Gasses out the routine and laughs on its achievement for being a rare cinematic chapter in Bollywood of being a dark comedy shot in a western ishtyle, Vishal Bhardwaj does it again and how... 
Amitabh Bachchan, this man has done it before and again he does it with tremendous ease. By his sheer simplicity of getting into the skin of the character makes an average film worth watching... 
The second Marathi movie to be submitted for Academy consideration after 2004 ‘Shwaas’, "Harishchandrachi Factory" written and helmed by Paresh Mokashi is a remarkable cinematic tribute to a rare hero like Dadasaheb Phalke the father of Indian cinema... 
Some people are remembered for wrong reasons and some movies are remembered for wrong reasons. First timer Amit Rai’s ‘Road To Sangam’ is film that every Indian needs at this hour of morality and human crisis we are in. 
An Epic struggle that requires a soap opera heart and lots of dheer (patience) 
RGV goes a welcome transformation via first time helmer Manneej Premanth who with his razored tight narration ensures that screws are kept tightened expertly almost to the penultimate scene in this gripping psycho thriller about a maniac serial killer who makes life hell for the four passengers waiting in a waiting room at a distance south Indian railway station... 
The latest in the short and not-so-respectable line of dance movies in Bollywood gives another reason why Mithun Da’s ‘Disco Dancer’ still enjoys the cult status, ‘Chance Pe Dance’ is fascinating for about 15 minutes – the time when Shahid hits the dance floor and dazzles with his gravity-defying hip-hop that hooks you with its skill and creativity, mixing all kinds of dance influences into an ear 
First off, make no mistake; just because the posters of the film show SRK and Sushmita along with Fardeen in it with two new bubble gums, it is in no relation whatsoever to any wonderful SRK romancers like Dilwale, Kuch Kuch or even Main Hooh Na... 
‘Pyaar Impossible’ is a fairy tale freshly retold. The movie is pleasant start to YRF innings this year. Scoring on the right choice of characters the movie manages to engage the viewers in emotions with an unabashed sincerity that manages to avoid the pitfalls of triteness... 
Imagine actors of the calibre of Naseruddin Shah, Om Puri and Padmini Kolhapure coming together and being a part of this worst thriller of the year which replays all the clichés, but delivers not a single of the expected guilty pleasures of a thriller.... 
He gives her his vodka on the pretext of getting kareeb but boy he is an ageing married garib who runs and ad agency and knows how to approach a hottie... 
Inspired from a real incident or a Hollywood bizarre called ‘Stuck’, only Mahesh Nair can answer after asking Mr. Nari Hira... 
Bravo! Bollywood smartys had done it again. The invincible Rajkumar Hirani goes more ‘hearty’ and less ‘arty’ this time to give us a witty and touching look at life and makes a befitting comment at the mad rat race we are in where the quotient of success is measured with a materialistic tape without giving the call of your heart any grape... 
Coming an extra p (read plea), ‘World Cupp (their spelling not mine) 2011’, this Bollywood goal without a soul makes this reviver begging to flee... 
‘Avatar’, Oscar winner James Cameron’s next feature after ‘Titanic’ is a dazzling spectacular treat in technical terms but on content wise it’s another smartly woven Bollywoodish romantic heart beat... 
YRF last shot at the B.O. 2009 is uplifting and well performed by the ‘Chak De’ jodi of helmer, Shimit Amin and writer Jaideep Sahni... 
Children of India must have committed a very grievous crime in their previous life for being subjected to ten years of rigorous school imprisonment.... 
Oops! If ‘Monty’ was back with vengeance in ‘Karzz’, this time RJ Vivan is up with a curse. Sorry to say! ‘Radio’ makes you pesky with its swarming with unsubstantial elements.... 
Sometimes, films like ‘Paa’ does make Bollywood stand upright with honour. Hats off to filmmaker Balakrishnan!! Amitabh owes a lot to this auteur for delineating his persona with new-fangled dimensions.... 
Priyadarshan can barely spell flicks patently based on couple of things – either a raw offbeat drama or silliest comedies. Exactly, the auteur goes shilly-shallied over ‘De Dana Dan’ and there’s nothing special you can look out for... 
Can you call it a pudden-head idea of Karan Johar? Maybe! The film doesn’t boast off anything exceptional in terms of narrative aspects. For better results, filmmakers can just give a break on making films based on Islam and fundamentalisms..... 
Vishesh Films-Emraan Hashmi-Kunal Deshmukh: On the face of this trio combo, it was all evoking our expectations with ‘Tum Mile’. But unluckily, the film disappoints us badly on every quotient. Well, with a soggy script and jerry-built screenplay, the film throws you into lots of discombobulations on what’s really happening over there.... 
This week’s releases have been somewhat admirable as they do engross us with different genres. If ‘Jail’ happens to be an exceptional raw-drama, here’s ‘Ajab Prem Ki Ghazab Kahani’ that gets along for a jolly-ridden clichéd tale picked from various South Indian flicks.... 
Very few filmmakers break the banalities of usual trite and spell awe-inspiring flicks. If at all, you hankered to experience and feel what a real cinema is, call off your day’s plans and book your tickets for ‘Jail’.... 
How rare and wonderful is that flash of a moment when we realize we have discovered a friend. And how hapless it is to witness the same friend being erroneous to your relationship….... 
Aladin – it’s something far behind what a real fantasy should be. This modernized version of ‘Aladdin and Magic Lamp’ is ridiculous with a flimsy narration. Looks like producers were temporarily deaf when Sujoy narrated the script. Alas! The filmmaker’s attempt of inheriting the superlative special effects from ‘Harry Potter’ alone doesn’t keep us intact throughout the show... 
Why do our filmmakers go haunted with Hollywood mania? They’ve got the potentials of penning the best scripts and yet die-n-yearn to make bombastic flicks of that sort. BLUE – it may boast off to be a big budget flick with superstars and two academy award winners in the league. But there’s nothing special to mention about the film. 
It’s all about bringing creative reunion of Ajay Devgn and Rohit Shetty together. The duo has indeed spelled success with B-town’s catchphrase ‘Golmaal’ and never wants to get out-of-this box of comedy. 
Turning words into pictures – the mantra hasn’t been so favorable for our own B-town auteurs. Of course, glimpse through the graph of films adapted from novels, most of them had witnessed pathetic results at box office. 
Sallu Bhai, Sallu Bhai, Sallu all the way… aye! Salman Khan after getting through pathetic results with continuous flops finally shifts on better grounds. To be precise, ‘Wanted’ isn’t a mind-boggling, extraordinary and marvelous film to watch. But naturally, with most of the previous month’s releases of B-Town middling down with average fare, ‘Wanted’ offers more opportunity for ‘B’ and ‘C’ centr 
Naturally, Yash Raj banner redounds your expectations to a greater degree, patently with the top-notching teasers and promos. But naturally, the film’s result would rarely exceed your expectations and ‘Dil Bole Hadippa’ doesn’t seem to be an elision... 
Hail you Bollywood! Post-recession phase seems to have inlayed the B-town with instantaneous transformations over the screens. Hit or flop: you’ve got to put these things aside and appreciate the adeptness of such moviemakers spelling new-fangled recitals. 
First and foremost, there’s a special thing to be announced about ‘AageY Se Right’. This is one commercial film to hit the screens this weekend with multiple releases. But that doesn’t make ‘Aage Se Right’ so blissful to watch. In simple terms, the film is brimmed with interesting storyline, that’s quite creative as well. But the screenplay fails to engross us and so does many illogical aspects fr 
B-Town has witnessed similar recitals as ‘KISAAN’ that dealt with enkindled bucolic crisis. Nonetheless, Puneeth Sira apart from penning from a substantial script lurches down on presenting them over the screens. KISAAN brings back the same-pattered crisis of peasants we had earlier. 
Mirthful dramas with shorter duration – Flicks tagged with this pattern are surely to win over audiences’ appreciations. Thanks to Boney M for the title ‘Daddy Cool’ and Frank Oz’s ‘Death at a funeral’ for inspiring Murli to offer a new-prototyped flick. 
‘If you’re lightening, I am 250volts electricity, I say’ – Well as you heed to this guntastic dialogues, it’s sure you will go through illimitable laugh riot. In terms, though QGM doesn’t strike with unparalleled motifs, you will have an enjoyable ride with this Desi cowboy Murugan. 
Followed by deep recessions of pitiable scarcity of good stories, Bollywood is back on the stroke of big jackpot in box office. No worries for film buffs! The recent releases after long time pettifoggeries between distributors and producers have been good enough to engross us. Maybe, the most expected flicks would’ve disappointed you terribly (Kambakkht Ishq and Agyaat), but there were enough good 
Beating same bush isn’t something off-the-wall when it comes to tinsel town. ‘Life Partner’ isn’t a mind-boggling flick as another release for this week. You wouldn’t feel anything new and innovatively spelled by filmmaker Rumi Jaffrey. He rigidly imports mirthful-ingredients from previous flicks. It may strike you with puzzled thoughts: whether to watch it or not? 
Astoundingly marvelous: Trust us!!! ‘Kaminey’ break the clichéd patterns of Hindi Cinema that wasn’t actually appealing on all vistas. Possibly, if a film ever had good story on papers, filmmakers would be blindfolded on crafting a convincing narration. If ever we had these aspects in perfect terms, it would lack quality in technical aspects. But Vishal Bharadwaj strikes with a magniloquently mind 
‘Agyaat’ is bounded with cheap thrills and proves to be a lousy flick letting down the ardent buffs, who eagerly expected it. To begin with, it’s a good attempt by this scrapper who hardly believes in his film’s results. A horror-adventure, somewhat like Predator had really knocked a high-shot on our adrenalines. Perhaps, scenarios are different once you’re before the screens. 
When your previous film was a runaway success, how does one shoulder the burden of it? We’ll suggest in Imtiaz Ali’s style. 
This couldn’t have been a perfect launch for Shruti Hassan or then a comeback for Imran Khan after a dud like ‘Kidnap’. Luck can not even be called as one of those stylish flicks of Sanjay Dutt with nothing new to offer in terms of story, acting, action or even style. 
Persistent flops on the row and Akshay Kumar had no big options other than jumping for the show of grandeur. With promos running high on the airs round the clock, certainly it let us perceive ‘Kambaqqt Ishq as a plank meant to save him from lapsing. Oops! Kambaqqt Ishq is perhaps a gaudy show. Of course, Sabbir Khan brings you the macho Akki ennobled by Denise as ‘Best Kisser’, 
Instantly the innocents were tortured sans any clarifications pertaining to 9/11 incident. It’s out and most of imbecility that American Security Forces had rippled down their lives. They paved the way for turning them into terrorists. Who bears the fault? Kabir Khan elaborately blends the heart touching reality with interesting elements. He has precisely delineated the sufferings of an innocent 
Whoops-a-daisy! You’ll regret this to be the ever-made biggest mistake in your lifetime. Step into theatres presuming this to be a comedy flick to get yourselves brimmed with ruefulness and annoyance. Had the makers viewed first copy before patting the shoulders of Paritossh? Of course, there are few hilarious moments that will get your faces sparkled with smile, but that doesn’t last long. Rest o 
Alas, looks like long-listed supernatural-thrillers aren’t gonna end in Bollywood. Why do filmmakers penning a thriller-script actually fail to deliver that genuine genre? A Billion dollar question indeed! In the past couple of months we’ve been witnessing certain flicks running lack of nitty-gritty panoramas of thriller elements. Regrettably, the scenarios were wretched with ‘8X10 Tasveer’, ‘Aa D 
Ooh! It’s realms of cherishing moments for film buffs of B-town. Bounded to a much knotty situation of multiplex owners-producers pettifoggeries, things are turning to be more exquisitely perfect now. When you’ve three flicks of unparalleled genres hitting screens this weekend, you’re sure to have a fine weekend. 
Exquisitely, it’s a great weekend for all film buffs who felt like thrown out of kilter sans releases. Gone are those unremarkable Fridays that didn’t bring an entertaining moment for them as ‘99’ kick-starts as a first release after such issues prevailing for a long time. 
By all odds, Kamal Haasan has been universally acclaimed as ‘Jacks of all trades in tinsel town. Watching this fantastic actor over on a show of grandeur isn’t something off-the-wall. On the dots, there doesn’t need to be an illustration for his record-breaking attempts for that would be a cliché. But, donning 10 roles isn’t a history-breaking record of this. 
Well, here’s a new genre of ‘Supernatural Thriller’ persistently hitting screens sans a pause. Glimpse through previous weeks’ releases. ‘13b’ dealt with a phenomenal idiot box, ‘Aa Dekhen Zara’ – A mysterious camera unveiling future’. Here goes, ‘8 X 10 Tasveer’ right on the similar notes. This time it’s all about a ‘Photograph’ that will unravel the frizzled scenario. 
It isn’t all the same this weekend. Three films with different genres hitting screens should be a real fiesta for all film buffs… If Aa Dekhen Zara is about ‘Supernatural Thriller’ and Deepa Mehta’s ‘Videsh’ a dramatic theme, Ek – The Power of One is a well-tailored commercial cinema for B and C Centres 
Obviously, very few auteurs composed unique fictions on the supernatural thriller genre. Well, none presumed to go for the most speculative take on such genres. Perhaps the raise of new filmmakers inspired by western flicks is coming to the forefront with groundbreaking motifs. Aye! You know something…. 
Hop-skipping through socio-contro themes, Deepa Mehta strikes with yet another flick with a strong feminism. Precisely, the film’s female protagonist has many similarities with Aishwarya’s role in The Provoked… Indian brides battered black and blue in soul and body – these similarities tags them together. 
On the buttons, final take for ‘Barah Aana’ is that it’s a flick meant strictly for few amongst miniscule groups. Well, there aren’t many chances for single screens to fill their sacs with profits. Incisively, Raja Menon can be praised for his most adept efforts of delivering a piece of out-of-box. Picking the characterizations of a driver, a watchman and a waiter, (categories of people who face t 
Perhaps, right on the first frame you’re sure to get grisly frizzled with an appalling pictorial of truck throwing down innumerable dead bodies for mass burial. On the front, it’s clearly implying the directorial touch of how things are gonna be hard throughout the show. 6 parallel stories based on a scandalizing incident; 
Very rarely, we do find blithely bounded entertainments on the screens. Appositely, ALOO CHAAT isn’t an elision for you feel it worth watching for each penny paid. KISS – Keep it short and simple. Perhaps, a ducky formula picked by Robby shores him on palmy grounds. With a duration of 110 minutes, the film get-goes with a simple tale blended with laugh riots. Of course, it isn’t as colossal as Rob 
Merely, for past couple of months Bollywood was in-lock with a bleak scenario. Naturally, not did any flick make it big on terms of offbeat or entertainment. Previous week’s release ‘13B’ picked up good show across the multiplex audiences while here’s ‘Jai Veeru’ – An entertainment falling between the lines of finesse and mediocre. 
Perhaps, here’s the best contemporary filmmaker turning yet another glistering motif on his papers into screens. Much avowedly, ‘Gulaal’ has the clichéd vernacular trait of Anurag Kashyap. 
It’s precisely a willy-nilly scenario for UTV Productions has it persistently churning out flicks with good motifs. Well, that’s a good spell but one finical doubt does keep ringing in our minds. Do the producers heed to full-fledged script and screenplay or else sign-up for directors merely with one-liners. Previous year has been the most fantastic 
For the most part of eerie dioramas, what else would’ve got our audiences hackneyed? Aye! A disembodied arm chocking one’s neck, ghosts fast-flying across the ceilings and nooks of the screen space, victim shuddered over carking vexations and lastly, everything culminating with Spiritual powers. Merely, these were so clichéd that they’re not a scariest thing for a small kid too. They would term it 
'Delhi-6' is an incredible flick in terms of all panoramas. The film is simply prodigious with flawlessness and a piece of work that takes Indian Cinema to the next level 
When solutions aren't made in reality, cinematic approach gratifies it. Well, it's more patent with Manish Gupta's 'The Stoneman Murders'. 
Unluckily, Srinivasan and Director Mohanan – makers of the poignant tale of 'Katha Parayumpol' should be topsy-turvily entangled in their sense about selling remake rights. Yeah! Absurd remakes in two different versions as 'Kuselan' and 'Kathanayakudu' had really balled up the duo's best efforts and now Priyadarshan 
Yeh Sab Kya Hai? Patha Nahi…. Govinda, once a stupendous actor who carried off his audiences with colossal performances has jumped on ill-sorted grounds. Alas! What makes him do that? Lack of offers and you've got to shoot this out on Govinda. Often, we boast with prideful spirits 'Yeah! It's changing phase of Bollywood' and at many times our elatedness are shattered watching such pieces of works. 
Here comes a dissimilar version to yesteryear classics of 'Devdas' that were so solemnly delivered the words of Sarath Chandra into picture. Well, in an era of cyber mania and lots of changes happening over, one cannot assure about the same classic hitting on top-of-charts. Yeah! Anurag Kashyap brimmed with such a motif strike a different note based on same lines. Of course, when you've Devdas tu 
It happens to be a welcome First Friday for couple of debutant filmmakers in Bollywood. Yup! If Zoya Akhtar does it with 'Luck By Chance', Ajithpal Mangal takes on with 'Victory'. Perhaps, film 'n' cricket buffs were elated picking on 'Lagaan' and 'Iqbal'. These flicks had much more on emotional touch touching the poignant theme of unity and integrity. Well, real biggies on cricket field teaming u 
Flicks based on tinsel town aren't new to the world of cinema. Be it Krzysztof Kieslowski's 'Camera Buff' or Federico Fellini's '8 ½'; these avant-garde films dealt with intrinsic something more than filmmaking. Precisely, it was far away from shooting spots of clapboards and 'Camera Rolling –Action-Cut'. To start off with, 'Luck By Chance' is worthy to be called as the best of its kind. Earlier, 
Yeah! When you've a British Filmmaker and Indian Artists are on the show, 'A mind-boggling' magic goes on. For sure, you wouldn't need an illustration for this. Richard Attenborough's 'The Gandhi' touched the feat of honor. 
Perhaps, the title 'Raaz' should've got everyone's adrenalines shot-up, anticipating it to be a stupefying ride of roller-coaster. Well, 'Bhatt' factors seem to be spelling tremendous magic when it comes to a genre of 'Horror'. Of course, who can refuse it or forget the most scintillating horror flicks churned by them. Years back it was Raaz and then 1920 enthralled us with a goose bump experience 
Perhaps, Chandni Chowk to China has nothing phenomenal, but a timeworn script of coward transcending into hero, estranged family getting unified. Producers promoted CC2C as 'First Ever Bollywood Kung Fu comedy' and for your kind information, the flick doesn't possesses top-notching humorous elements or the splendid Kung-Fu you expected. 
Brimming with new genre of 'Animation', Bollywood has been striding on with its best efforts in churning out a perfect of its style. Well, note this down. Possibly, even a diehard fan of animation flicks wouldn't appreciate 'Jumbo' for it isn't so appealing. Perhaps, an Akshay Kumar's fan would go through similar-experiences. 
And at the end of this year, there's a bedazing blockbuster in Indian Box office. Here comes our maestro of perfection swaying on with a different genre from his previous ventures. Merely, producers wouldn't have considered Ghajini as an 'Empaling Speculation' for enormous reasons. Well, when you've South India's top-charting Director, Bollywood's superstar, Musical Maestro and versatile technicia 
Well, to start off with, Aditya Chopra spells yet another poignant dimension of pure love as in his previous ventures with SRK; DDLJ and Mohabattein. Yeah! These tales were retentive impressing everyone from 8-80yrs old men and women. Of course, we fell in love getting imbibed with those spellbinding personations in these flicks. So, guess what about Rab Ne Bana Di Jodi – a film that brings 
India – A land of enormous lingos, customs and religions fall invariably become united for 'Cricket'. Perhaps, some could wonder why cricket isn't picked as National Game since passion for this sport goes insatiable amongst millions here. Be a top-charting tycoon or a hapless chap, there are on with more enthuses when there's India in stadium. 
Not many auteurs in Bollywood adapt spellbinding stage plays for it happens to be an empaling speculation. Perhaps, there were few amongst many who spelled adaptations on screens getting ennobled as 'no-hopers'. Well, if you're seeking for an illustration, 
Yeah! Years back we had censor boards so hard-and-fast on cuts for root word of 'profanity' and 'adult contents'. And now, the scenario hop-skips on different grounds where Indian audiences have to resist the shock with such bold themes hitting screens. 
Well, it's changing phase of Bollywood where you've bold themes spelled with an ease on the screens. Perhaps, the sheer motif may not cater to all centres but it's worth deserving good appreciations with trendsetting endeavors. Precisely it's a great show of such films as they make high waves sans superstars or big teams on the crew-lists. If you need an illustration, it goes with this week's rel 
Most hunky-dory of his kind, Dibakar Banerjee shored up on grounds of Bollywood with enticing debut 'Khosla Ka Ghosla'. And now, we've the winner back with a flick with ostentatious theme partially inspired by real life incidents. 
Bollywood's once-heralded auteur jolted with his previous flops 'Yaadein', 'Kisna' and 'Black & White' is back with a yarn-spinning tale of emotions. Perhaps, ennoble Yuvvrraj – 'The Returns of Ghai in Town' and it's a directorial of finesse savoring to family audiences. 
Flamboyantly influenced by best Hollywood flicks Rob Reiner's The Bucket's List and Wayne Wang's The Last Holiday, Shashanth Shah pitches a spellbinding deliverance with 'Dasvidaniya'. Splendiferous jaunting of an individual of rediscovering himself on the course of accomplishing his list of 'To do 10 things before I die'… 
It's so execrable to see one of the best producers in town churning a flick sans strong substance. On other terms, John Abraham and Abhishek Bachchan turn to be the hapless guys picking a flimsy script in hand. 
'Marvelous', 'fantabulous' and what else, put your best words of appraisals for Director Kaushik Ghata. Amidst, corporate companies and Hollywood's top-charting production houses churning out their extravaganzas in Bollywood, Rajshri Productions enriches with simplistic beauteous themes straight from its shoulders. 'An oasis amidst of large deserts' – Of course, Ek Vivaah Aisa Bhi deserves it for 
EMI is a raucous, digressive comedy, offering some laughs and for real life loan defaulters, it mocks and celebrates. On its course, there are some bittersweet experiences of personal lives on individuals caricatured. 
For all who ever intended 'World of Fashion' is something about fun, glamour and ramp shows, Madhur Bhandarkar enlightens them. Rendering the best realistic themes in each of flicks, Madhur Bhandarkar had conquered the hearts of world-wide audiences. Of course, his top-notching directorial 'Fashion' surmounts our expectations and to define the film, it's 'Wordless'. Lots and lots of ramp walks, ba 
Perhaps, first word that you uttered after watching 'Golmaal' would have been 'Wow, Extraordinary'. So what could be your verdict for its sequel? 'Golmaal Returns – Alas! Merely disappointing'. 
Obviously, lots of multiplexes launched should have urged Yash Raj Films to stride successfully on new genre of Animation. Indeed, the biggest production house in India joining hands with the ever best studios of Hollywood Walt Disney Pictures is a cock-a-hoop for all. With animation flicks of several foreign countries bringing home 
Indeed, if you know filmmaker Samir Karnik's work – early and later titles like 'KYON HO GAYA NA' and 'NANHE JAISALMER', you may find yourself watching his recent movie, 'HEROES' surmounting your expectations. Obviously, his earlier directorial were merely dashing down everyone's hopes and how about this one? It's a fantabulous piece of work churned by Samir Karnik and it's worthy to be ennobled a 
Patently, Cheenti Cheenti can be praised for being 2nd Indian non-mythological flick churned out and first animation film in India made in cell-animation (manual) using hand drawn pictures thereby ensuring international quality standards. 
Never-seen-before indeed! 'Shoot at Sight' strides with an enamoring motif with rigid characterizations. Obviously, it's about bomb blasts, violent attacks, racialism, Islamic individuals wedged in troublesome moments and clear-cut terrorism. Probably, you should have watched out these ready-made affairs a million times in Indian films. But the niftiest backdrops where these matters get blended s 
Alas! Karzzz dashes down your expectations flubbing on every aspect: performance as well narration. Even it happened to be an archetypical piece of work by Director Satish Kaushik, the film has nothing great to be appreciated about. Perhaps, you'll get miffed up equating both the versions and better don't strain yourselves clinging on with it. 
Turning words into pictures is fairly clichéd when it comes to Hollywood: Be it Francis De Coppola's The God Father or Stephen King's scintillating piece 'Different Seasons' adapted as The Shawshank Redemption. 
Director Sanjay Gadhvi should have displayed disclaimer much before title credits, "Don't watch this flick carrying same expectations of Dhoom and Dhoom 2". Well, the film deserves it, for you are sure to get down with your hopes after watching it. 
Perhaps, DRONA had raised our expectations for its overhaul radical genre of fantasy. Well, not many auteurs in Bollywood did endeavor with such genres of fantasies and Goldie Behl deserves a pat and applause for his bold attempt. 
Appositely mirthful, surprisingly sweet, Welcome to Sajjanpur is one more trenchant piece of work from ace auteur Shyam Benegal. This flick isn't as appealing as worthy to be entitled 'The most dramatic comedy milieu'. It's not just about penning script inclusive 
Alas! Her directorial debut 'Chupke Se' was a slipshod piece of work. Well, Sona Urvashi demarcates with Saas Bahu Aur Sensex that perfectly lets her stride, winning laurels for a unique theme. In reality, what's so topping the chart in television channels of India? Saas-bahu show with its high TRPs and marking everyday's sensex graphs. One's passions for either of these two are insatiable. 
An audacious auteur indeed! Director Vikram Bhatt who won rave reviews across the far-flung corners of globe for his debut directorial Raaz, is back again with a scintillating spine-chilling horror flick. Perhaps, looks like Vikram Bhatt is vividly influenced by the World's ever best flicks The Exorcist and The Others. Precisely, 1920 doesn't carry anything unique in terms of its storyline, but th 
Known for percolating exceptional themes and winning laurelses, Rituparno Ghosh pitches 'The Last Lear', based on the classic play 'Aajker Shahensha' by Utpal Dutt. Alas! 
Latterly, debutant filmmakers are spelling their flicks completely breaking the clichés. Kunal Shivdasani, an ad filmmaker hops down into filmmaking, not with a peculiar story. Hijack is something an already seen panoramas and to be particular with terrorists, there more and more. What does Kunal Shivadsani spell unique in this flick? 
From the debutant Director Neeraj Pandey: Two men more challenging: an unrecorded event, spine-chilling thriller ride for 100 minutes with unexpected twists and turns. Cinematic purgatory, right? 
With the number of so called comedy flicks being made at a random pace , here comes yet another one starring Tusshar Kapoor after ‘One Two Three’. This time around debutant Sachin Yadri fuses in the entire bandwagon of Ekta Kapoor’s ‘Balaji Telefilms’ and why not when the soap queen is the producer of this film. 
Vijayta Films Pvt Ltd celebrates its 25 years in the Indian Film Industry a Silver Jubilee by presenting ‘CHAMKU’ which is scheduled for release on August 29, 2008. The banner proudly owned by the Deol family brings forth director Kabeer Kaushik of the ‘Sehar’ fame. 
Finally the big day has arrived. With four Hindi films at the box office this week , all eyes are on ‘Rock-On’ for the obvious buzz it has created. The surprising fact is that the most awaited film of the year doesn’t feature a ‘Khan’,’Kapoor’or ‘Kumar’ . All that hype with relatively new actors and a director whose previous film ‘Aryan’ was a wash out. 
It’s been a while now that ‘Mukhbiir’ has been mired with problems that have given the film a back seat. First with a series of events involving change of producers from Pritish Nandy Communications (PNC) to Color Chips and the legal money transactions to a postponement in the release date, the film has been badly hit. 
This one was supposed to be one of the most awaited movies of the year for various reasons. Firstly, it brings back the ‘selective role choosing’ Mallika Sherawat alongside Rahul Bose. The two had a huge success story last year with ‘Pyaar Ke Side Effects’ and thus a repeat is expected here. 
Not many had heard of director Nishikant Kamat until the accolades he received for his first Marathi flick ‘Dombivili Fast’. Later R.Madhavan and Nishikant teamed up for the tamil version ‘Evano Oruvan’. Now, comes a dream project for the director with his first commercial hindi flick ‘Mumbai Meri Jaan’ ; a film celebrating the undying spirit of Mumbai backed by the likes of UTV. 
Yet another Yash Raj film releases this week with Sidhart’Tara Rum Pum ‘ Anand spearheading the bandwagon. 
The very first time one heard of this film the excitement levels rose. After the success of ‘Mushje Shaadi, Rumi Jaffrey , the writer of the film was now turning director. What more when you have the likes of Salman , Mr.Bachchan and Priyanka Chopra? 
Well , there is actually nothing much to mention about this film which has been swinging around with its release dates . The producers even went out to have the hoardings placed upside down hoping that luck would just shine upon their flick. 
There has been a lot riding on this flick and why not when you have one of the hottest pairs Akshay and Katrina who return yet again after ‘Namastey London’. All the more hype when you have Anees Bazmee heading the ship. Bazmee’s track record at the box office says it all- Tremendous success with his previous ‘Welcome’ creating a box office record. 
A film called My Sassy Girl released in Korea way back in 2001. It's about a loser who meets a drunken girl one evening on his way back home. He takes the girl, who falls unconscious, to a hotel for the night as he does not know where her house is. The story takes off from here as he gets a call from the girl the next day to know what happened the last night. They meet again and again and become g 
Ganesh Acharya is no doubt a man with immense talent. For people who have heard of his growth in the business of entertainment over the years know very much that Mr.Acharya has come up against all odds. With his very first film ’Swami’ as a director, you were eagerly awaiting his next. 
Apoorva Lakhia better known for his sleek action packed flicks with an overload of so called ‘stars’ brings forth his mission with overtones of international terrorism. Vivek Oberoi walked away with rave reviews for his role as ‘Maya Bhai’ in ‘Shootout’, now let’s see what mission offers him? 
Raj [Shahid Kapur] was numero uno. In academics, sports, dramatics. But four years after winning the best-student-of-the-year trophy from his architectural college, he's wondering why a brilliant architect like him, with designs to set the Canadian landscape on fire, is still struggling to find that one big chance to showcase his mettle. 
After ‘Sarkar Raj’ , Ramgopal Varma teams up with Praveen Nicshol for yet another film on the underworld. This time out it goes as follows: 
‘Mehbooba’ comes across with the likes of Sanjay Dutt, Ajay Devgan and Manisha Koirala. You might be wondering how come Manisha plays the heroine in 2008 when she has almost vanished from the film circuit. Well, take a closer look at a much slimmer Manisha and the drastically younger looking Sanju Baba and you will definitely figure out that the movie is maybe over 6-8years old. 
Aamir Khan who has known to be an ace when it comes to selecting scripts and venturing into production, provides his nephew Imran the much awaited launch. Jaane Tu… also marks the directorial debut of screenplay and dialogue writer Abbas Tyrewala. 
With almost every second day Harman , Priyanka and Harry making their presence felt in the media via various product launches , game launch etc ; Lovestory releases with a bang. 
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